Creation Magic: Using creativity to regain a sense of control in a crazy world | Bohemian


I call it my grimoire. Bound in navy blue leather with a silver fleur de lys, I had no idea what I was going to use the notebook for when I bought it. But gradually, as if by magic, it filled with rough sketches and metaphysical speculations, as if I were simply the stenographer of a soul trying to understand itself. And every time I grabbed a sharp pencil and turned to a blank page, I had that goosebumps feeling you get when you’re doing something you’re supposed to.

A grimoire is a book of magic, and I created mine without even realizing it. It was just an empty diary until I jokingly called it a grimoire. Four years later, there is indeed one, thus demonstrating, by a loop of paradoxical causality, that the only possible origin of a book of magic is magic itself.

From Vegas showmen to Harry Potter, magic continues to bewitch audiences jaded by the democratized sorcery of technology. But to the ancients, magic was no mere superstition, but rather a very real force in the world, the main qualifications of which were the concentrated will and the evocative imagination of the practitioner. As a spiritual path, magic is not about suddenly materializing objects, but about creating states of mind that result in manifest changes in material reality. We have all wielded this power as children. Our parents told us it was called “pretending” and if we were lucky they encouraged it. With just a toy or two and a stack of couch cushions, kids can build a mighty fortress of the imagination that can defend against the gremlins of boredom.

The issues that plague us as adults are more debilitating, but there’s no reason we can’t use the same tactic. In fact, creativity – or creative activity – might be the best defense we have against this trio of enemies – fear, anger and sadness – that seek to ambush us and inject their venom with spider of anxiety and depression. New data from Gallup’s Life Assessment Index shows that in key areas the number of people suffering from stress and worry since the pandemic is four times higher than during the Great Recession of 2008.

When you land in the pit of discouragement and feel like no light can reach you, you must create your own, kindle an inner fire that can enlighten you. Language paints the picture: you must become enlightened, illumined and radiant, and you can do this by creating something. Nothing. A pot of soup. A new mood can be brought about by boxing your inner demons in the shadows, then dancing on their graves to your favorite teen rock song. Go out and sprint into the wind until you’re out of breath, then see how you feel when you pick it up. In other words, you have to throw away all your old assumptions of normality and start going a little crazy if you want to avoid really going crazy in a world that has definitely gone crazy.

Peeling away the accumulated layers of your carefully guarded personality, fragile ego and fear of what others think, and descend to where the raw energies are, you will find a flint of magic built within you, a gift from the greatest magician of them. all. We were created to be creators, to imitate the very act that gave us life. Creation is the first and highest act in the universe, and sets the example for all fruitful endeavours. Creative activity is at the origin of all art, it is what is really meant by the term magic and is central to the idea that we create our own reality.

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INSPIRED Creativity – or creative activity – might be the best defense we have against this trio of enemies – fear, anger and sadness – that seek to ambush us and inject their spider venom with anxiety and depression. Photo by Christian Chensvold.

With his wise beard, his flowing robes and his adopted title of “sar”, a Hebrew term for prince, Joséphin Peladan was one of the most colorful figures of end-of-the-century France, a milieu already overflowing with flamboyant personalities. A prolific novelist, champion of avant-garde painting, and self-proclaimed spiritual guru, Peladan encouraged artists to think of themselves as magicians, not just creating works of art, but reshaping the clay of themselves. according to an ideal.

In the world of letters, fame often comes posthumously, and Peladan’s 1892 non-fiction work “How to Become a Magus” recently received its first English translation. “Man has the duty and the ability to create himself a second time,” says Peladan, writing in the masculine mode typical of his time. In fact, to refuse to create is to give up before the end of the game of life, to give up our divine gift and to surrender our imagination to the machines that seek to eradicate it.

Every fleeting fantasy, recurring dream, supreme ambition and burning desire within us is a key capable of unlocking its own realization, transforming us and shaping reality in the process. “You must become incapable of pleasure that does not include imagination,” Peladan warns. In other words, play like kids and magical things will happen. To embark on this path is to renounce the conventions of the time and to renounce all that has a deleterious influence. “Are you someone or are you a social unit? he asks the reader rhetorically. Society, he says, “is an anonymous society offering a life of diminished emotions.” Recreating yourself “requires that you renounce the collective in order to be born into your personality”.

Drop an iconoclast like Peladan into the 20th century and arm him with laser beams and you’d practically have a Bond villain. In fact, with the exception of the world domination angle, the Bond villains provide inspiring examples of defiant creativity in the face of civilization and its discontents.

In 1977’s ‘The Spy Who Loved Me’, starring Roger Moore as 007, the villainous Karl Stromberg created a frog-shaped submarine that serves as his mobile lair, complete with a control room decorated in high baroque , with tapestries that retract to reveal the creatures of the sea. Upon meeting 007, who poses as a marine biologist, Stromberg confesses to being a recluse who has chosen to live far from society in an environment that defies him. agrees. When asked if he misses the world, Stromberg replies: “This East the world.” Remove the angle of revenge against humanity and this eccentric pariah represents the kind of artist whose medium is life itself. Stromberg has created a world that suits the needs of his soul, and n isn’t that what writers do? Writers awaken characters from the bogs of their imaginations and bring them to life, and we become co-conspirators whenever we suspend our disbelief and consent to enter their imaginary worlds.

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Since the millennium, many have come to imagine the universe as a computer code made up entirely of ones and zeros.

The ancients conceived of the cosmic programming language as language itself, and creation myths of the world are often based on speech or writing, with the gods of language also being gods of magic. Thoth (from whom we probably derive the word “thought”) was the scribe of the gods in ancient Egypt, corresponding to Mercury in Greek mythology, the planet that astrologically rules communication. In the Norse tradition, Wotan, whose Wednesday bears the name (Wednesday in French), taught man the language of runes, used in Viking magic. The ancient text known as the Corpus Hermeticum attributes the creation of the world to the Word, and the Book of John states that “In the beginning was the Word”, further showing how our concepts of language, creation and magick are deeply linked. But it is Kabbalah that literally lays out the formula for bringing anything to fruition in the form of the Tetragrammaton, a fancy way of saying “a four-letter word.” The Hebrew letters Yod Heh Vau Heh mean:

1) an active masculine principle

2) a receptive feminine principle

3) the union of the two

4) the fruit of this union

How does it work in practice? We begin with you, whose human intelligence represents the active principle. Now find a plot of fertile land which will serve as a receptive principle and plant seeds. Wait a few months, and you have food. Let us now apply it to literature. Suppose you’ve always wanted to be a writer and you have a poem, story, or screenplay hidden away in your office. You dust off and look for a magazine, writing contest or film studio receptive to original creations. In stage three, you take action and submit your work, and in stage four, you find that they like it and are going to pay you for it. A whole new horizon has just opened up in your life. Yes, the mystery of life really is that simple, which is why it’s so easy to forget about it. And it’s all based on creative activity.

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You’re not just the unfortunate anti-hero of your own winding life story. You’re also the author who constantly scripts pages on the fly, adapting to changing favorable and unfavorable circumstances, all the while trying to steer you toward a vague destination you consider happiness. What it will actually be like if you get there, you’re not exactly sure, because if you’ve learned one thing, it’s to always expect the unexpected. This is precisely how this story was born.

“In the dark night of the soul,” someone intelligent once said, “it’s always 3 o’clock in the morning.” Staring at the ceiling in the middle of the night lately, weighed down by the vexations of everyday life, an inner voice told me to go out and face the darkness, to work through the dark thoughts as I walk through the moonless night . And as I strolled through the silence of the neighborhood, of course, a small bulb of an idea, barely bigger than a Christmas tree light, began to shine into my consciousness.

By the time I came back through the front door, a gestalt shift had occurred. Suddenly, everything in my worry-filled home struck me as the result of conscious creative choice, from the pictures on the wall and stacks of books to the thrift store furniture I had painted and transformed from shabby to chic. And so a restless night of ruminating on matters beyond my control revealed how in fact has been under my control.

We are always engaged in creative activity; we simply forget about it and fail to summon our magic in the difficult times when we need it most. But this perfect power, if we can understand it and learn to bend it to our will, is a force impervious to all anger, fear and sadness, coming from a higher and purer realm that does not know these tempting demons of negativity. .

I opened my grimoire and jotted down my thoughts, realizing that these little insights into the power of creativity could make for an interesting story about a restless night that finally ended with sunrise, when once again the forces of light and inspiration have won victory over darkness.

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